Seeds have been an important development in the reproduction and spread of gymnosperm and angiosperm plants, relative to more primitive plants such as ferns, mosses and liverworts, which do not have seeds and use other means to propagate themselves. This can be seen by the success of seed plants (both gymnosperms and angiosperms) in dominating biological niches on land, from forests to grasslands both in hot and cold climates.
The term "seed" also has a general meaning that antedates the above—anything that can be sown, e.g. "seed" potatoes, "seeds" of corn or sunflower "seeds". In the case of sunflower and corn "seeds", what is sown is the seed enclosed in a shell or husk, whereas the potato is a tuber.
Andreas is a humanist seriftypeface designed by Michael Harvey, and licensed from the Adobe Type library. Harvey drew the lettering in 1988 as part of the book-jacket design for James F. Peck's book In the Studios of Paris: William Bouguereau and His American Students, a Yale University Press publication. That lettering became the foundation for the 1986 typeface Andreas.
In keeping with the book's subject, Harvey wanted letterforms that reflected the Art Nouveau period. The letterforms also bear comparison with the condensed, calligraphic thirteenth-century Italian monumental capitals. Due to space constraints, the type had to be narrow enough to allow the title to fit on a single line across the top, so as to not intrude on the Van Gogh painting that filled the rest of the jacket. To accomplish this he drew the letterforms freehand, giving them highly animated organic strokes and narrow character set. He also added distinctive junctions of letter strokes to the D,P, and R. The typeface was drawn in outline, intending to reverse to white, so as to not be overly assertive on the cover.